Wednesday, December 7, 2011

Kyuss Lives! At Toads Place December 8



Sometimes it seems as if a band’s influence trumps its record sales. Okay, maybe this doesn’t apply to the Beatles, but look at bands like the Stooges and the Velvet Underground, who both helped inspire certain forms of music long after their original shot of glory. You can claim that both laid down the blueprint for other musical styles to follow.

When Kyuss busted out of the California desert in the late 80’s/early 90’s, their slowed down and ultra heavy take on hardcore, combined with a deft sense of dynamics and killer songwriting laid down a blueprint for a whole generation of bands to follow.

They released four full lengths, two of which, “Blues For The Red Sun” and “Sky Valley” are considered two of the best heavy rock records of the past 20 years. When they broke up in 1995, people thought little of it, until there seemed to be a resurgence of riff rock in their wake.

It also looked like they would never get back together. All the members of the band went on to other projects. But a spontaneous reunion last year, lead to a re-formation of the band that nobody thought would get back together.

John Garcia (vocals), Nick Oliveri (bass) and Brant Bjork (drums) met at a European festival last year while Garcia was doing his Garcia Plays Kyuss project. He invited his two former band mates on stage; they jammed a bit and decided to make a new go of it as Kyuss Lives! There is one no show though. Guitarist Josh Homme of QOTSA was not involved in the reunion. (Guitarist Bruno Fevery has taken his place.)

“Originally I was doing the Garcia Plays Kyuss thing over in Europe and I ended up at a festival where both Nick and Brant were playing. I invited them onstage to jam and it felt great. So we decided to get together and do some shows in Europe. It made perfect sense to do this. Everybody in the band is putting their other projects on hold to do this,” said Garcia.

What started innocently enough in Europe has extended to two tours of the United States as well as runs in South America and Canada. When they hit Toad’s Place tomorrow, the reformed band will be toward the end of a second leg of United States tour dates.

Suffice to say, Garcia is stoked by the reaction the band has received.

“It’s going really good. I’m just appreciative that people are still psyched to hear this music we made all those years ago,” Garcia said.

This newfound sense of purpose and energy will even lead up to a new a record. It will be recorded next year and they hope to have it out sometime late next year. They are busy writing and when this touring cycle ends in a few days, they are going to take some time off and then reconvene in January to start production on it.

Garcia said he is especially curious to see how this will turn out. He guarantees that the ideas are flowing and that the music will be up to the high standard that the band set for itself many years ago. There are a lot of variables that will go into the making of the new album, but Garcia is confident that the band will deliver a winner.

In the live arena, the band cherry picks the best songs from “Blues For The Red Sun”, “Sky Valley” and “….And The Circus Leaves Town”, and mix it up quite frequently, so some songs get played on certain nights while others don’t. It helps to keep things fresh for the band, and especially for the fans, who don’t know what songs they’ll be getting on their particular night.

As mentioned higher up in the article, when talking about Kyuss, one must also talk about the band’s legacy. This is a band that casts a very large shadow over a certain variety of hard rock that has popped up in the last twenty years. In fact, some would say without the band, the underground music scene would be much different. Garcia understands this but also is careful on what he says concerning this issue.

“When the word legacy gets brought up, I don’t want people to think I’m unappreciative because I’m not. Whatever you want to label the band, I just say we play rock’n’roll. I really don’t mind the term stoner rock anymore. Whatever you want to call it, I’m very appreciative that I’m still able to do this,” said Garcia.

It is understandable that no artist wants to be pigeonholed, because that might seem like they are painting themselves into a corner artistically and give people a false sense of what to expect from them. Still, you have to give him credit, because he isn’t shying away from the “s” rock word, which a certain other member of the original band who is not involved in this resurrection tends to avoid it like the plague. For Kyuss Lives!, embracing their past helps them point to a future for the band.

“It’s been one hell of a year. It’s been great,” said Garcia.

Kyuss Lives!
The Sword
Black Cobra
Curse The Sun

Thursday, December 8
Toad's Place
300 York Street, New Haven, CT 06511

7pm - $23 advance ($25 door) - All Ages


Saturday, December 3, 2011

Jukebox The Ghost Plays The Space! Has New Video!


Philly's own Jukebox The Ghost return to CT on Dec 9th at The Space in Hamden. These guys have played all over CT in the past 5 or more years and people are listening! You should too!
They will be finishing off their December tour on the 9th and will be joined by: Savoir Adore and The Spring Standards.

Jukebox The Ghost also recently released a new video for the song "Half Crazy" from their LP "Everything Under The Sun" out on Yep Roc:



So go to The Space on 12/09, you should be going to The Space as often as it is possible ANYWAY!

Doors: 7PM
Cost: $14 / $12 advanced

BUY TICKETS HERE

Jukebox The Ghost
Savoir Adore
The Spring Standards

295 Treadwell Street
Hamden, CT
06514


Jukebox the Ghost - Schizophrenia by MCT MANAGEMENT

Friday, December 2, 2011

SEASONS SLEAZINGS WITH NIGHTBITCH



Friday December 9, 9pm
Scotty O'Boyle's
523 North Colony Street, Meriden, CT 06450
Free admission
21+

DJ's will begin spinning the classics at 9 sharp. Think lots of Deep Purple, Priest, Sabbath, Rainbow, Blue Oyster Cult, etc. Nightbitch will perform at midnight

Drink specials and $2 PBR bottles guaranteed to keep your lazer burnin' HOTT
...reindeer fucker for those in the know


SEASONAL ATTIRE:
Gentlemen are encouraged to wear Santa outfits or homely sweaters.
Ladies are encouraged to dress as slutty elves.

Thursday, December 1, 2011

ANAMANAGUCHI with MATH THE BAND and 2 TON BUG @ Lilly's Pad


ASTERISK CONCERTS PRESENTS:

ANAMANAGUCHI

Anamanaguchi is a four-piece group from New York City that combines guitars with the thick, electronic tones of a Nintendo Entertainment System. With driving, dynamic and melodic tracks, they focus on creating sounds that seem bigger than their hardware. A member of the artist collective 8bitpeoples, Peter Berkman has been creating chiptune music since 2003. They have since toured across the country and briefly in the UK and Ireland. Their debut, ‘Power Supply’ EP, was released in 2006 as a free download through 8bitpeoples and has since received over 50,000 downloads.


MATH THE BAND
Math the Band is a electro-punk spazz duo from Providence, RI. They use a combination of old video game systems, analog synthesizers and energy drinks to make the fastest, loudest, most party-est music they can imagine. They've only cracked their head open on stage ONCE


2 TON BUG
I am going to let their facebook bio explain "WE CAME UP THROUGH THE MUD AND STRAIGHT TO YOUR HEARTS". I think that about does it!


This all takes place tomorrow, December 2nd at The Lily Pad (Upstairs at Toad's Place)
300 York St, New Haven
8PM / $10

GET YOUR TICKETS HERE!!!

See you there

Anamanaguchi - 1 - Blackout City by edflores1

Thursday, November 17, 2011

The Mountain Movers are a classic modernity!


The warm tape hiss forewarns of the the abrupt and awesome sonic blast of the first track of The Mountain Movers new 45RPM single. "I Watch The Sea" cracks open like an egg and instantly attracts with its melange of classic and current rock swagger. I hear everything from The Stones to Sonic Youth in this song. It's bursting with attitude and from what I understand is a current live favorite (and rightly so!). This song has several false endings so keep on it, as I am sure this could easily turn into a much longer song live. Up next is the prettiest song on this 45, "World What World" charms us with a lean 1:26 of sweet waxy pop. I think this song stands out as the most accessible one, and thankfully we are able to post/stream it HERE.

Side B has slow chugger "I've Been To Space". While noticably more discordant than the other side, this song is nonetheless as engaging and remarkable. The environment is airy and menacing and eventually unfolds into a squealing feedback outro. I noticed it seems like this 7 " is like day and night on the opposing sides, which I think is pretty neat. The vibes of the music on the first side are certainly more conventionally melodic, and side B is dark and creepy, as well as slightly dissonant.

I am a huge fan of vinyl and this 45 brought back the sensations of my first few K records singles. There is a certain warm excitement that comes from dropping the needle on a short piece of wax from an artist you know is making music not only out of love for creation, but also out of love for the medium they chose. The Mountain Movers take the old, and they make it new!

I did a brief email interview with Rick of The Mountain Movers:

This 45 is very classic! Classic sounding and designed. Is this going to be a single series like the old days? How many singles do you have planned?

This single, "Sea/World/Space", is the first of 3 planned 45rpm 7 inch singles. We will release the next two in the new year. It is a mini-series, in that sense. We are currently working on the next one. Each single will have the same Car Crash Avoiders label sleeve with die-cut center, but there will be design variations on the actual label on the record. Been having a lot of love for the ol' 7" single lately. The format, the label sleeve, the artifact itself...it is really quite special. We were very inspired, visually, by the singles of 60s and 70s. But, of course, Dan Greene has his distinct artistic style that he puts on everything we do, which I think is very unique. It's our twisted homage to that style.

Have you found working with tape to vinyl has met your expectations?

Yes. Tape is the best! All of our releases have been recorded onto tape, with the exception of our debut CD (and picture disc 7" single, recorded during those same sessions). We love records and think there is something truly unique about the format. Tape is warm and organic, fussy and temperamental, just like us. Give us tape...2 inch 16-track reel-to-reel, 4-track cassette tape home recorder...we'll take it any day over digital recording. We love tape hiss. We always include a digital copy with our full length LP releases as we understand folks like to have it for their on-the-go devices (car stereo, mp3 player, etc) but really we are putting out music we love on the formats we love: vinyl and tape.

What is your favorite 45?

This question is near impossible to answer! Personally speaking, prior to this last summer, I would have probably picked a Peruvian cumbia 45 as they sound amazing and look totally awesome with their record label sleeves and interesting label artwork. But right now my most beloved 45 is one that I picked up in Morocco. I don't know who it is and I can't tell if the writing I can read (the few words that are not written in the Arabic alphabet) is the name of the songs, or the singer. "El Farka Chaabia" is the best guess I can make as to the name of the artist. But it is absolutely beautiful, inside and out. I can tell you it is on Koutoubiaphone, the premier Moroccan label of the early 70s, which is when this single dates back to. And while this particular Koutoubiaphone single has a picture sleeve with stunning front and back cover images, their generic label sleeve of the time is very awesome too.

Thanks for the compliment, we are feeling very accomplished with this one! It's nice to have a new release that reflect the current line-up, which we are enjoying tremendously.

And thanks for taking the time to ask some questions!
Cheers
-Rick

Well, there you have it. Go enjoy this and the future 45 singles from this CT powerhouse!


The Mountain Movers - World What World by CTINDIE

Friday, November 11, 2011

MUSIC FOR MEALS at The Space on Saturday!


Quinnipiac University's 98.1 WQAQ Hosts Upcoming Benefit Concert

Hamden, CT. November 12, 2011--Quinnipiac University's student-run radio station, WQAQ, is holding its annual Music For Meals benefit concert on Saturday, November 12 at The Space in Hamden, CT. Headlining the concert is Brooklyn-based folk pop band Laura Stevenson & The Cans, featuring members of Latterman and Bomb the Music Industry. Their Sophmore LP, "Sit, Resist" was named one of the best records of 2011 by Marcus Gilmer of the A.V. Club.

Rounding out the lineup are Connecticut locals Great Caesar and psychedelic lo-fi group High Pop. The premier of High Pop's "hippie speed ball" was featured online on the College Music Journal. It was also reviewed on CTINDIE.COM right HERE.

Opening the show is New Jersey garage punk band Conor and the Stone Hill Kids. They recently released their independent debut "Don't Move."

Proceeds from the concert will be brought to the Hamden Food Bank to provide food for the Thanksgiving holiday. The Hamden Food Bank is a part of the Keefe Community Center, an organization that works diligently to better the Hamden community.

98.1 WQAQ hosts a charity concert at The Space every November. Past headliners have included Cymbals Eat Guitars, Patent Pending, and Nightmare of You. Doors open at 7 PM and admission is only five dollars, or free with two canned goods.

Check out 98.1 WQAQ on:
Facebook
Tumblr
Twitter

Howl Brings The Heavy To Milford on November 17


Rhode Island’s Howl, deal in the type of filthy, down tuned riff worship that makes any fan of the loud and noisy stuff, grin from ear to ear. Over the course of one EP, and one critically lauded debut album, “Full Of Hell” (both on Relapse), the band has proven they have what it takes to make interesting and exciting heavy music. After getting the debut out of the way, the band is now getting ready to prep album number two, which according to drummer Timmy St. Amour is a very important one in a band’s career.

“There is definitely pressure because the second record is usually known as a make-or-break record. We’re just excited about the new material and we’re looking to show people how far we’ve progressed as a band. We can’t wait for this to come out,” said drummer Timmy St. Amour.
After playing an exhilarating gig at the first annual, Metalsucks.net, Suck Fest last week in New York City, the band is in writing mode, as they get ready to work on more new material for the record and do a string of headlining live dates.

So far, they have 8 songs ready for the record with about another 7 that need a little work. The plan is to have more songs than they need, so when they enter the studio in February or March of next year, they can pick and choose what works best for them. They plan on having the record out in late spring or early summer.

As far as the new material goes, St. Amour says that the new material is a little more straightforward and faster, belying some black metal and speed metal influences, but it’s still plenty heavy and filthy. It’s still Howl, through and through.

To help them out, new member, guitarist Josh Durocher-Jones, has flown in from his home in Cleveland to partake in the live activities and writing process. He is staying at St. Amour’s house.

While it might seem odd that while the rest the band, including guitarist/vocalist Vincent Hausman and bassist Rob Icaza make their homes in Rhode Island, their new member lives in the Midwest. Durocher-Jones came highly recommended from ex-touring mates (and metal warriors in their own right) Skeletonwitch, and has proved his mettle on the road for the band and will make his recorded debut with the band on the new record. St. Amour said it really is no big deal, because Durocher-Jones just flies in whenever they need him to write, record or tour.
They also recently completed and released a video for the “Full Of Hell” track, “Heavenless”, which is a gory and over the top rendering of the song full of bad table manners, fight scenes and pseudo-Victorian clothing. It’s a fun, yet slightly goofy introduction to the band.

St. Amour said it was fun to do, but next time they will exude a little more creative control and make the video a little more serious.

As noted from higher up in this article, Howl are from Rhode Island and so are a bunch of other great loud and heavy bands. For a state its size it seems to turn out a lot of great bands, almost more than should be expected and Howl are proud to come from such a rich scene.
“It’s a really unique music scene. The foundation was laid down by heavy noise bands like Lightning Bolt and the warehouse scene, but that goes back about 10 years. There is also Dropdead and the whole Armageddon record label and store, too. It’s a mixing pot, where kids from the noise scene will go see metal, and people from other scenes will go to another scene’s show. There are no weird competitions. It’s been breeding outside the box for quite some time,” said St. Amour.

(It will be noted that this writer has heard from several Connecticut residents who go to shows in state, that if they could afford it, they would go to Providence for shows. For me, I wish there was less competition between the scenes and maybe some co-operation, but I know that’s a pipe dream.)

But all griping aside, this looks to be fine bill with Howl headlining over a bunch of bands that are all excellent in their own right. Judging by the description on the Manic Productions web site, Worms In Women And Cattle look to bring it, while Sea Of Bones and Red Blade look to represent Connecticut metal in a good way. So why not? It’s a solid bill from top to bottom.


Manic Productions Presents:

Howl
Worms In Women And Cattle
Sea Of Bones
Red Blade

Thursday, November 17
Daniel Street
21 Daniel Street
Milford, CT

8pm - $10 – 21+ BUY TICKETS NOW or pick them up at Redscroll Records.