Wednesday, June 23, 2010

Show Review: EYEHATEGOD, Nachtmystium, Howl, Ipsissimus, Iron Hand

June 14, 2010

A crowd of riled-up God-haters converged on Daniel Street in Milford last week to worship the goat and indulge their doomy black metal and thrash fix. Headliners EYEHATEGOD glared and waded their way through their brand of New Orleans swamp sludge, but not before Iron Hand, Ipsissimus, Howl and an intense and focused Nachtmystium ripped through their opening sets.


Plagued briefly by mic troubles, Iron Hand eventually settled into a galloping thrash in front of a generously attentive crowd. Their set was short, which was probably a good thing because the drummer was this close to collapsing under the weight of his own beats.


Ipsissimus took the stage clearly stoked to announce their next album is due out this fall through legendary Metal Blade Records. Singer and bassist Tichondrius shrieked his vocals through extreme reverb while His Emissary hugged his guitar and drummer Haimatokharmes flicked his way through impossibly fast and rippled frills. Adore the goat boys, adore the goat.

If you can't wait to pick up their Metal Blade release, grab their cassette tape GoatCultRites released by Wallingford's own Redscroll Records. "If you don't own a 94 Corolla, you're not true," declared Tichondrius before they tore into tracks from their Three Secrets of Fatima EP.


Providence-based doomsters Howl were up next. "We're here to play some heavy metal, thank you very much," announced vocalist Vincent Hausman. The band displayed a tightened brand of dual-guitar doom, punctuated by clean breaks, stepped up chugs and, yes, howls. Extended feedback builds gave way to pounding sessions that charged with sustained intensity and momentum.


Nachtmystium took the stage and if the crowd was looking forward to any outspoken controversy from Blake Judd—who, by the way, was wearing some Howl merch—they left disappointed. These guys came to play, and the set crackled with a dirty foreboding. The band has already moved past the "psychedelic black metal" of Assassins to a more, as Judd himself has put it, a poppier orientation. But hell, I couldn't hear any of that. Instead, the band sprinted through its tightened up, orchestral blackness.


"You guys heard of us before?" asked EYEHATEGOD's Mike Williams to a surging crowd that was clearly ready to be dragged through the band's sludgefest. But not without danger: Williams, the Mark E. Smith of sludge metal, declared that "I'm gonna vomit a few times" and "Monday's a good day to commit suicide" before staggering and howling his way through the set. While he did neither, at least on stage, the dude still looked as if he'd collapse and die at any moment, but still managed the strength to wander around screaming as the band heaped the sludge on top of Jimmy Bower's wicked riffs.

[Photos by Jon Contois]

Tuesday, June 22, 2010

Procedure Club Doomed Forever out on Slumberland



It's not often that Force Field PR sends us info on one of our very own, but they did today. But first refresh your memory with our Procedure Club post from earlier this year.

Procedure Club is a collaborative "bedroom-pop" project founded by Andrea and Polish emigré Adam Malec in New Haven, Connecticut in 2008. The two began recording as a natural progression from their boredom with living in poverty in New Haven, sharing musical tastes in shoegaze and pop bands of the 80s and 90s, such as Black Tambourine, and The Jesus and Mary Chain, as well as a common admiration for Baroque artists such as Purcell and Bach. Out of this god-forsaken alliance comes Procedure Club, in which Adam and Andrea have combined melodic song structures with heavily reverbed vocals, stuttering mechanical drum beats, dirty bass, synths, and alternately washed-out and jangly guitars.

Following on from a well-received string of tapes and CDRs, they've put together their first "proper" album and it's a corker. Doomed Forever noisy lo-fi pop with the emphasis on NOISE. From the pure synth pop of "Feel Sorry For Me" to the overdriven swoon of "Dead Bird" to the blown-out "Nautical Song," carefully constructed tunes are given a fierce work-over by layers of guitar fuzz and synth scree. Songs like "Vermont" and "Artificial Light" could practically be some lost C86 gems, while "Awfully Managed Pigeons" looks back to early Velvet Underground's garage racket (check the sick Cale-esque bassline) and "Rather" fondly recalls Linton's late Henry's Dress/Aislers Set classics. Throughout, Andrea's vocals are the secret weapon, neatly playing catchy melodies off the drum machine clatter and guitar haze.

What Procedure Club manage to pull off so well on Doomed Forever is striking just the right balance between the songs and the noise, between structure and chaos. Rather than allowing the recording methodology to stand-in for tunes and ideas, they've created a rather amazing record where those parts mesh perfectly and create a unique soundworld that challenges the ear as it coaxes you in with melody.

MP3: "Feel Sorry for Me"

Dates:

June 26 - Popeye's Garage, New Haven CT *
July 9 - Velvet Lounge, Washington DC
July 10 - JR's Bar, Philadelphia PA
July 31 - Weird Exorcism festival at Temple U, Boston MA #
August 4 - Silent Barn, Brooklyn NY &
August 26 - Casa del Popolo, Montreal QC $
August 28 - Parts and Labour, Toronto ON
September 12 - Part Time Punks @ The Echo, Los Angeles CA

* = w/ Estrogen Highs and Home Blitz
# = w/ Kid Romance
$ = w/ The Pink Noise, The O-Voids
& = w/ Birds Names

Click on the image to visit Slumberland's Procedure Club page

Track list:

1. Feel Sorry For Me
2. Vermont
3. Dead Bird
4. Artificial Light
5. Confined
6. Slut Fossil
7. Awfully Managed Pigeons
8. Nautical Song
9. Rather
10. Jupiter
11. Seventh Circle Of Hell

Monday, June 21, 2010

Rudy's moves

Just found out that Rudy's in New Haven, a staple of the local music scene and all-around classic bar, will be moving in order to expand. Read all about it at the New Haven Independent, click here.

Ghost of Chance



Ghost of Chance is a new New Haven based band fronted by Jayson Munro (formerly of CT band The Striders and a bunch of other Danbury-area projects), George Moore (nephew of Sonic Youth's Thurston Moore), David Corsak, and Mark Niciu (of The Wee Bees, and formerly of Hartford band The Inclined Plane). The group's first album is the brainchild of Jayson Munro and George Moore, who crafted and recorded the music in the sweltering confines of an attic apartment during the summer of 2009. The live set consists of Moore on guitar, Munro on vocals and guitar, David Corsak on bass and Mark Niciu on drums. February Records will be releasing their upcoming self-titled full-length CD. On Saturday, June 26 Ghost of Chance will play the Ideat Village Festival at Pitkin Plaza in New Haven with The Wee Bees.

MP3: "Sir"

MP3: "Jennifer"

"Sir" is definitely my favorite of these two preview tracks. The freaked out beginning sounds like it has one of those thumb things being plucked, which I almost made a thumbs-up joke about, but realized how fucking lame that would have been. I have trouble trusting anyone that spells Jason with a "y", but Jayson Munros does some solid early 90's guitar work that could be book ended by anything from the Lilys to Teenage Fanclub, which more than makes up for the "y." The track closes by going outdoors with found sounds, including some summery chirping. Makes me think the song just floated off out of the careless hand of a little girl like a birthday balloon.

"Jennifer" is sloppy in spots, but charmingly so. I like the way that ride gets a beating in this track. Maybe for the live set they should borrow Brendan Canty's ship's bell. I'm sure Niciu would have fun with that.

The Depreciation Guild, Wild Nothing, EULA

Wednesday, June 23 2010, Manic Productions presents:


Location:
Daniel Street
21 Daniel Street
Milford CT

$8 - 8:00PM - 21+

Directions

Buy tickets now or pick them up at Redscroll Records

The Depreciation Guild is a fuzzed-out, reverb drenched pop/electronic group consisting of Kurt Feldman (guitar, vocals, programming), Christoph Hochheim (guitar, vocals), and Anton Hochheim (drums). Backed solely by a Nintendo Entertainment System, the band blankets their sound with the crushing blows of its 8-Bit 2A03 sound chip. Drawing inspiration from classic dream-pop bands such as Pale Saints, and Cocteau Twins, as well as 80’s synth-pop masters such as Bill Nelson, Gangway, Scritti Politti and YMO, The Depreciation Guild have artfully cultivated a unique sound that strikes a balance between progressive and retro-chic. Members of The Pains of Being Pure at Heart. Kanine Records

Wild Nothing is the solo project of Virginia born Jack Tatum, who’s music is the product of an unhealthy obsession with nostalgia. Equal parts teenage wasteland and inexplicable regret, his songs are the kind that could only be made by the young at heart. Unlike the current herd of one-man bedroom bands, Tatum creates complex textural environments that aim for something higher. Melodies that yearn to stay with you. Warped interpretations of Johnny Marr’s guitar work and The Cure’s careful synth arrangements. Dreamy, catchy, and intriguing. Here’s to missing your youth. Captured Tracks



EULA:
"Combining the quirky, awkward-but-sexy nature of CSS with a more defined loud-vs-soft side, EULA is a fun new wave group from New Haven. Their music is packed with the loud, pointed guitar riffs and rapid basslines that would make Northwest pseudo punk proud; think a blown out of proportion and hyped-up Kill Rock Stars release." -FensePost

Wednesday, June 16, 2010

Ted Leo and the Pharmacists, with Screaming Females

Friday, June 18 2010, Manic Productions brings:


Location:
Daniel Street
21 Daniel Street
Milford CT

$15 ($13 adv) - 7:00PM - All Ages

Directions

Buy tickets now or pick them up at Redscroll

Ted Leo, former frontman of the criminally overlooked D.C. mod-pop outfit Chisel, with his pick-up band the Pharmacists (members of Nation Of Ulysses, The Lapse and Young Pioneers), continues on his unique pop trajectory, somewhere between the jumpy caffeinated pop of his old outfit Chisel, the mod emotion of the Jam, the kick ass rock of Thin Lizzy and the perfect pop of old Elvis Costello. Super smart and sentimental (especially the lyrics: wry and clever, but heartfelt and really unique), but playful and infectious at the same time. New record out on Matador! Ted Leo on what's lame.



Screaming Females:
Formed in 2006, New Jersey's Screaming Females combine scorching guitars with a firmly D.I.Y. approach to create their own brand of indie rock. Mix equal parts Dinosaur Jr. and Sleater-Kinney, the Brunswick trio strives to embody the spirit of indie rock in its purest form. Check out their tour blog. Listen to Arm Over Arm.



Where will they appear next:

06/18 - Milford, CT - Daniel Street Club
06/19 - Portland, ME - SPACE Gallery
06/20 - South Burlington, VT - Higher Ground
06/21 - Quebec City, QC - Le Cercle
06/22 - Montreal, QC - Il Motore
06/24 - Ottawa, ON - Zaphod Beeblebrox
06/26 - Toronto, ON - Lee's Palace
06/27 - Buffalo, NY - Mohawk Place

Tuesday, June 15, 2010

Show Review: Titles record release

June 12, 2010

Although a bit shaky at first, Titles played a great set the other night at Cafe Nine. Their contemplative, quiet sound was a bit of a changeup from what I'm used to at that tiny little bar. Eula was more that speed. They charged the stage and assaulted the unsuspecting audience with loud bombastic tunes, all driven by huge booming bass. As my ears were still ringing from that, I wasn't expecting Titles to be so quiet and reserved. I'm usually one of the dudes standing around outside, but due to the rain and poor planning I was sequestered to a table in the back for the beginning of the show. When they went on, the place really filled up and I rushed to the front. Ok, more like shambled/stumbled up front. It took a while for the show to start, and Cafe Nine's always a good place to have a few drinks. Anyway, they took a minute or two get into their groove, but once they did they had the whole bar watching intently.

I really gotta hand it to these guys though, they're pumping out some of the best tunes I've heard in CT. They played a really long set, full of tunes from their latest album, and a bunch of other songs both new and old. Even some stuff that I haven't heard off their records, like "Castlevania" were pretty great. Lighthearted banter and kazoo on "Fuck It" was a nice touch, too. And any band that ends with a Yo La Tengo cover is alright in my books.

A side note, I got LP 007/100, so that's one for the ages. The album's beautiful by the way, you might wanna see if there's some still available from Safety Meeting.

Here's a few more photos from brushback: